Hachette, 2025. ISBN: 9780734423900. (Age:14+ - Young Adult) Unreservedly recommended.
Nate migrates to Australia with his mum, Amber, leaving his dad 6,000kms away working in Singapore. They’ve come on ahead to settle Nate into a new high school, and for Amber to prepare for a procedure to relieve her chronic pain. Moving into the bungalow his parents purchased online, they see a swarm of bees disappearing into a wall in need of repair. Thus begins a new friendship when Tyler the local apiculturist is called to move the bees. Readers discover much about keeping bees and their precarious but crucial role in the environment.
Next door lives a friendly, athletic girl about his own age. Luna is returning to school herself after a long absence. Nate struggles to make new friends, but can’t understand why his neighbour is already an outcast.
“Drift”, is an expressively crafted title in the Australian YA verse novel tradition. Predictably, alternating chapters are narrated by the two main characters to express their respective backstories with rhythmic breaks rather than blank spaces. If new to unique lineation in lyrical storytelling, a rapid appreciation follows Pip Harry’s creative choices.
While Nate’s themes concern family and the biosecurity threat to Australia’s bees, Luna is a gifted distance runner dealing with the protracted nature of cyberbullying trauma. Drawn together in newfound isolation and the beehive which Nate is keen to protect, can Luna forgive Nate when she feels he too has betrayed her trust?
A coming of age story that will appeal to youths and young women, who will identify with these self-discovery journeys via the concise but imaginary writing, distinctive of the poetry genre. 309p.
Inferno's heir is American author Tiffany Wang's debut novel. Enough of a story has been built in this novel and there is enough interest in the side characters to warrant a sequel. This is a fantasy novel but it is also steeped in more than a little European folklore coupled with a dash of Asiatic exoticism, a touch of magical power and royal court drama that is reminiscent of the medieval era. It is an action/adventure story with action being fast-paced often accompanied by violence and bloodshed.
The novel is set in the fantasy kingdom of Erysia. A tale of kings fallen and princes and princesses rising, of rebellion against the monarchy, of court machinations, dastardly plans and rebel groups ensues. The action is based around the palace, within the secret walls within the palace and in the surrounding town and its notorious prison.
The main female character, Teia, has learnt from a young age how to bribe, extort, blackmail etc in order to manipulate people. Wang builds Teia's character layer by layer as she traces her trajectory from a young halfling child princess who has to learn to fight for her very survival against constant attempts on her life by assassins sent by her sadistic brother. What Teia and her brother have in common is a lust for power and a lack of kindness - a ruthlessness. However, Teia is distinguishable from her brother in that she, early on, shows some care for the wellbeing of the common people. Teia also has a magical affinity with two elements (water and fire) which she is learning to control.
Inferno's heir is about lust for power. It is about monarchy, cruel governance and the uprising of organised rebellion. Teia infiltrates and gains the trust of the rebel group (the Dawnbreakers). Power structures, morality and purpose become quite fluid. Teia changes as she works with the rebels seemingly against her own royal family and discovers a closeness to some of the rebels - in particular Tobias. Important friendships are formed. Other characters are well developed. (This reader particularly looks forward to seeing further adventures of the intrepid and mouthy Enna, a thief of the highest calibre). Teia is tested and demonstrates her valiant, gritty and heroic attributes aswell as her magical powers as she executes a dangerous heist. Not all characters are as they seem and danger is not only where it has always been (within the palace walls). There is unexpected betrayal and political treachery in the mix. There is failure, success and unfinished business.
Hilarious, whip-smart repartee between the characters accompanies the plot.
Inferno's heir, with its morally grey and feisty Teia is a fantasy book that manages to avoid the over-complicated world building (familial, political and social structuring) of many fantasy novels. It is easy for the reader to navigate the court and rebel intrigue so that the story can be enjoyed without confusion. The storyline is well plotted and the heroes/villains' interaction is compelling making the book unputdownable - one that you want to read in one sitting. Similar to A court of thorns and roses by Sarah Maas and Mistborn by Brandon Sanderson, Inferno's heir is an accessible fantasy read with the palace world being not overcomplicated.
Inferno's heir is a great recommendation for those readers who are new to fantasy as it is somewhat of a hybrid book-combining action, adventure, magic and a brief wisp of romance as well as being a fantasy. Bring on the sequel.
Themes Political fantasy, Adventure, Blackmail, Murder, Betrayal, Morality, Governance.
Wendy Jeffrey
Luna's world: Library dreams by Hayley Gannon. Illus. by Michelle Conn
Luna's world: Library Dreams is a gentle, perceptive little story..."perfect for newly confident readers, as well as older readers needing to bridge the gap between graphic novels and novels proper". One can feel confident that this book hits the mark because it is written by Hayley Gannon - a primary school teacher librarian. Whilst being a librarian may not be always the golden ticket to being a good writer, one might say that it is a big step in the right direction as with Gannon being both a teacher AND a librarian she would have a pretty good idea about what children need to be reading and what they enjoy reading. Gannon has hit a gap in the market which is the space where a child needs to transition to continuous text.
Luna's world: Library Dreams is structured using continuous sentences and paragraphs but as a bridge to progress from a diet of mainly graphic texts typesettings including Sweet roll, Why notes, Note lover and Fruit cake have been selected. These greatly enhance the visual appeal making Luna's world an attractive and engaging reading experience. The internal design by Jo Hunt is very important. The font varies in size and changes for emphasis. Doodles are scattered around the edges but are not part of the script. Different sized illustrations are included and scattered - entirely consistent with creating a journaling kind of format.
The story is told in journal/diary form in the first person voice of Luna. Luna is a year 5 girl whose great wish is to be a library monitor. Unfortunately, she is impulsive and not the best at concentrating. She has to compete with her arch-enemy Jade Jones for the role. Luna is guided by smart adults (her mother, class teacher, school librarian) and her friends. She learns.
Love and knowledge of libraries, books and children shines through in a most authentic way. This simple and warm story illuminates a much larger phenomenon and that is the wonderful business of what school libraries, good educators and parents do all the time for children - especially in being able to turn deficits into strengths and fostering the love of reading.
A delightful read, Luna's world: Library Dreams is the first in a new illustrated junior fiction diary series which is "A love letter to the school librarian". This writer suspects that it will bounce off shelves into book bags just like the ever popular Ella diaries and Olivia's secret scribbles. I'm hoping that Gannon picks up on boys and their non fiction interests in this series too. Luna's friend Cody needs to star.
Themes School libraries, Journaling, Learning differences, Friendship, Competition.
Author Sophie Clark seems to be playing with dangerous metaphysical, spiritual and religious understandings in Cruel is the light. It is the first of a planned duology with the second book picking up on the further story of Selene and Jules. The line between writing about real world religious belief and fantasy is a fine one. When merging both it is possible to overstep that line into misinforming on an important topic and causing distress and confusion. A certain level of distaste and discomfort is acceptable in the fantasy worlds created in fiction but Cruel is the light may have overstepped. This writer therefore would not recommend this book for schools.
Beginning with a detailed map and key, the somewhat daunted reader does not find much relief from a confusing cast of characters and arenas of action. It takes even an intrepid reader quite a while to clear the confusion. On the flyleaf, information about the author states, "Sophie Clark likes to say that she writes fantasy featuring wounded girls with sharp edges, charming boys that fall for them anyway, twisted gods, and other unholy things."
Selene Alleva, a powerful exorcist, trained at the Vatican Academy, is the wounded girl with sharp edges. As the central female protagonist she is the emotional heart of the story. She is brave, strong-willed and powerful. Defying gender rules, she is a finely honed warrior. The possible key to understanding Clark's values is that if Selene decides to vent all her power she risks losing her soul to become a total monster. This is unacceptable - the line at which Clark pulls back her characters. Jules Lacroix (the charming boy) is impossibly handsome and likeable too. An elite soldier, he doesn't know his origins - the only hint is the thorn tattoo that he carries on his body. Of course, the unwanted attraction between the two is inevitable and during this war between demons and humanity Selene and Jules are thrown together. The "twisted gods and other unholy things" that Clark likes to say she writes about is a mixture of demons inhabiting dead bodies, exorcists and other hybrid types of gods, humans, demons and exorcists. Indeed Clark develops a cavalcade of unholy beings. The one that this writer struggles with is the ultimate one in the core of the Vatican.Too much is taken from Christianity and it could be disrespectful. There is the "deathless god" crucified and hidden in the core of the Vatican. He has a son. Crowns, thorns, crucifixes and stigmata come into it. There are the twelve demon dukes - another parallel or possible borrowing. This is uncomfortable territory for a writer and for young, impressionable readers. The author's stance around good and evil, god, demons and humanity is unclear. On returning from the war fields of Europe to Rome, Selene and Jules discover an appalling violation and atrocity in the Cor Cordium (latin phrase translation ="heart of hearts") a room right in the centre of the Vatican. This is where Clark's fiction possibly runs close to sacrilegious...
The characters are well developed. One feels for them. Violence is visceral. Action is cinematic. The enemies to lovers trope works. Betrayals are devastating. Friendships are forged in blood and both characters have to question the validity of all they know and believe in. What wins through in the end?
Cruel is the light is reminiscent of Dan Brown's Angels and demons (2000) in its references to religious and other ancient symbols and its theme of Vatican intrigue. Being a writer of fantasy fiction Clark has permission to allow imagination to run free but in the nuanced space of religion, twisting beliefs needs a careful, considered approach and sensitivity towards a readership from diverse perspectives and cultural contexts.
Cruel is the light 2 is not yet published.
Themes Demons, Exorcists, The Vatican, Romantasy, Enemies to lovers.
Margo is travelling to her Irish boarding school by train when she slips into an alternate universe and finds herself on another train in a very different world where even the length of a day may be different. In her confusion she is rescued or claimed by a young man bearing a crescent-moon shaped tattoo (known as Moon) and discovers that she really does not fit in this new world but is somehow very valuable and potentially powerful. There are others pursuing her and her disruptive influence seems to stimulate the rebellious locals, but also causes those who oppose them to become even more violent. Can she ever get back home and can they restore the world to its former normality or has Margo’s arrival set ‘the cat amongst the pigeons’? And is Margo’s attraction to Moon something that can survive the odd alternative reality that she is now trapped within?
This is a very clever alternate reality story that is complex and confusing in equal measure. Nothing that seems normal remains in this story - with different laws for time, strangely complex aging patterns, and social conditions that are unrecognisable. But what is recognisable is teenage attraction, the growth of romantic interest and working out how they can survive when they are under attack. With a unique dystopian feel, O’Donoghue has created a powerful story that also has commentary on discrimination and prejudice within the alt-society. The story is told with a third-person alternate focus on Margo and Moon, so we find their perspectives, but not in their voice. After the initial confusion of the worlds with no commonality to our own, the story does become quite compelling and we are left dangling at its conclusion. As this is book 1 of a duology there will need to be patient to wait for the next instalment in this exciting story. Readers aged 15+ are the target audience for this book… just note that the main characters do explore their relationship physically as is expected in the new social environment of the alt-world and there are some steamy scenes.
Mango and Hopscotch by Sophie Cunningham & Anil Tortop
Albert Street Books, 2025. ISBN: 9781761181122. (Age:3+) Recommended.
The inspiring story of a brave kangaroo and her joey rescued from floodwaters, will tug at the heartstrings of all readers, as they see the results of an unexpected flood, destroying the landscape and all they have known.The mob of kangaroos grazes peacefully next to the edge of the river. Hopscotch is out of her mother’s pouch, learning how to survive in their rainforest. But Mango notices the rain falling. Butterflies,frogs and lizards all seek shelter. Later thunder and lightning ensues, forcing the mob to find a place out of the rain. The river rises, they spy a houses where many other animals have sought shelter, and join them. But the river keeps rising, and Hopscotch and Mango are forced to swim for their lives. Meanwhile Max has helped get ready with others making sandwiches and giving out clothing. He and his kayak go into the water, noticing Hopscotch flagging as she swims. He hauls both animals onto his kayak and paddles back to shore where he dries Hopscotch then watches the pair as they hop up the hill to safety. The flood wains and the kangaroos resume their munching on the grasses.
A lovely story of how floods affect animals as they simply try to survive when such an event occurs around them. The affects on the wider community is noted as Max helps out with other members of his community. Lovely soft illustrations accompany the story, giving readers an image to view as they read, noting the environment the animals live in and other animals that live around them.
Inspired by the birth by in vitro fertilization (IVF) of her own grandchild, Susanne Gervay brings a joyful story about birth and families. Violet is having a dress-up party with all her friends and is having a great time, except when Charlie gets angry, and everyone gets something stuck on the trampoline! Tears and cuddles are part of every social encounter, and this story brings this to life while exploring the diverse ways children may come into the world, including IVF and adoption, as well as differing types of families, like same sex parents and families from different cultural backgrounds. Children will recognise their own family situations brought to life in this book and identify with the things that happen at parties. The lively, colourful, cartoon-style characters create a fun atmosphere for this tricky concept and will provide a welcome resource for classrooms discussing family.
Themes In vitro fertilization, Families, Children, Parties.
Gabrielle Anderson
Grave Empire by Richard Swan
Orbit Books, 2025. ISBN: 9780356523873. (Age:Adult, young adult) Recommended.
Sova is the centre of a powerful empire whose greedy merchants live off the exploitation of the land and sea and they vie with their Casimir neighbours for colonial power. The New East is one such disputed area where Peter Kleist has been posted after his father purchased him a commission in the elite Sovan Army. Fort Ingomar turns out to be as far from the pomp and ceremony of Sova as it is possible to be, and there is something seriously wrong there. The diplomatic offices of the empire are in Sova city, centres of power and luxury. Renata Rainer is attached to Ambassador Didacus Maruska and their Stygion embassy is in a rarely visited basement. The Stygions are a race of Mermen, living under the sea, and the embassy is much ridiculed by more mainstream diplomats. Sovans have long banned the use of magicks, except for the guild of engineers who are trained in its practical uses, but pagan beings to the north and some more extreme Neman sects still practice the arcane art of communing with the dead and news starts to filter through that all is not well in the spirit world, and that the prophecy of the Great Silence might be unfolding alongside a plague that is spreading throughout the north. The Stygions are known to maintain contact with the spirit world and a diplomatic mission is mounted to consult with them about the problem, a difficult task given the animosity on both sides and war in the lands they need to traverse to get to the Door to the Sea. The third thread to the story is that of Count von Oldenberg in his lands to the north. He has made a study of arcane practices with the help of a witch, Yelena, (who seems able to channel magical energy though sex) and has accumulated many arcane objects to channel magick. He is interested in the plague as it is bad for business, but as he learns more he becomes obsessed with the idea that he can use this leaking of power from the spirit world to enthrall others and bend them to his will.
Maps at the beginning are useful in tracking the many characters on their journeys and the author keeps control of the complex narrative, though at times the reader must trust that all will fall into place eventually. There is plenty of action, with battles, torture, zombies, aethereal screaming, or even worse, an all-pervasive sense of dread and unnatural silence, and I did start to care about some of the characters. I really liked the quotes at the beginning of each chapter purporting to be from various philosophers, military and diplomatic policy makers. This story is about beings half wolf, or fish or cat but it has reverberations about our world and our selfish priorities while great existential threats are ignored. This is the first in a new trilogy, I haven't read the previous one, Empire of the Wolf and while this does stand alone I am now curious to go back and read more.
Themes Fantasy, War, Morality, Death and afterlife.
Sue Speck
The Giant by Sophie Masson. Illus. by Lorena Carrington
Those readers who are familiar with the CBCA 2024 Notable book Satin will be thrilled to read this latest picture book by talented creatives, Sohie Masson and Lorena Carrington. This story, that very strongly emits the tone of a fable, is wondrously told with the striking illustrations and endpapers, visual delights.
When the giant awakes from a long and deep sleep, he is excited to visit his friends in the local town but he seems to have been forgotten and frightens the townspeople. His tears of sadness cause a great flood that may lead to danger for the people. Two young children reach out to him and memories of happier times surface. The townspeople once again accept the giant and peace and friendship is restored.
Throughout this narrative, the large full page images provide the reader with so much to take in and the text is perfectly positioned to provide greatest impact on each page. The silhouette of the giant across the pages is a brilliant tool to further enhance the stunning backgrounds, often showcasing a magnificent collage of photographic images. The final image of the giant embracing the town in the darkness provides an outstanding ending.
It is 2046 and the world has suffered a nuclear catastrophe, opening portals to other dimensions letting in all sorts of demonic beings. Our hero, aka The Loner was just a lonely kid at summer camp but then the camp was overrun with zombie chickens. Hiding in the cool room he is surprised by a mustachioed man who points out that a creature with 87 radioactive mouths is biting him. The result is that Mousachio kills the beast and The Loner is transformed into a manga like superhero. Moustachio, or Stephen, becomes Loner’s mentor, training him to survive in a world where everything is trying to kill you. That is, until he is bitten in half by a mutant t-rex. Determined to avenge his mentor’s death The Loner sets out with his chainsaw, flame thrower and cheese grater, to find and destroy the aliens. Along the way he is joined by an annoyingly cheerful girl, Ariana, a cute puppy, Alby and a baby vampire bat that calls him mum.
With constant action, revolting monsters and plenty of gore this is bound to appeal, with its energetic cartoon characters and inexplicably available ice cream, all presented in black and white on grubby looking crumpled pages. The first-person narration lets us know our hero is afraid to get close and become a team because he doesn’t want to lose someone he cares about, but eventually he admits to wanting to save his crew because he cares.
Themes End of the world, Monsters, Zombies, Humour.
Sue Speck
Never thought I'd end up here by Ann Liang
Penguin Random House, 2025. ISBN: 9781761351495.
A disastrous wedding. An angry aunt. And suddenly, a trip across China. All of this because of one, slightly mispronounced, Mandarin congratulatory. Leah Zhang never meant to wish her cousin a depressing marriage and poor health, but she’s forgotten most of her Mandarin. Quickly, her parents stage an intervention: a two-week-long trip around China and its stunning cities, where Leah will get back to her roots and learn Mandarin. In enters the cynical, annoying Cyrus Sui. The boy who ruined her life. All of a sudden, the trip is taking a sharp jerk to the left, shifting from an educational trip to a bitter plot for revenge against the boy who broke her. But somewhere between quiet conversations at 3AM and split moments at breakfast, Leah feels shifting feelings, and suddenly, she’s questioning both the boy in front of her and her feelings towards him. Does she really hate him? Or were all the shared smiles they had real?
Never Thought I’d End Up Here is a romance fiction set in China. Ann Liang’s writing carefully crafts the bold story of healing wounds and hesitant hope, drawing in readers with its witty banter and poetic love. It tells the story of two individuals who are slowly finding themselves; and learning to accept the reflection they see.
Ann Liang’s writing style is compelling and unique, capturing readers with her words from the very first page. Never Thought I’d End Up Here is her latest novel, already rising in popularity. I’d recommend this book to any individual with a passion for romance fiction and a heart for banter.
Themes: China, Travel, Romance
Jahnavi B. (Student)
Nora notices by Tegan Moss
Little Book Press, 2025. ISBN: 9781923141131. (Age:3-5) Recommended.
Nora Notices is a gentle, calm story that introduces a young girl called Nora who spends her time mindfully noticing all sorts of things in her everyday life. She notices how her sheets look like a grassy hill, a hedge looks like a cat licking its paws, a strong man scared of a little dog plus all sorts of other images she interacts with during her day.
Debut picture book author and iIllustrator Teagan Moss has created a thoughtful story where seeing the unusual in everyday things provides Nora with great joy. This story is also a reminder about slowing down and taking in what is surrounding us. The soft, muted illustrations perfectly complement the written story and in particular the double page image of Nora lying in the grass watching ants communication with each other is delightful.
Multiple award winning American author Stephen King, author of more than seventy books, all of them international bestsellers, needs no introduction. Known best for the mystery/horror genre, Never Flinch is King's latest publication (May 2025).
Never Flinch presents with twin narratives or perhaps I would suggest triplet (or more) for not only does King intertwine the two main narratives: the story of Kate McKay, a "won't shut up" women's rights activist and her offsider Kate as they travel on a multi-state lecture tour followed by a stalker and that of a serial killer who is intent on "killing thirteen innocents and one guilty" to atone, in his eyes, for a juries' wrongful decision to convict an innocent man and his subsequent death. There is also the story of Detective Izzy Jaynes and her friend Holly Gibney. These narratives (which twist and turn concurrently) meet and culminate in a heartstopping conclusion. Keeping the reader across these twisting narratives is the feat of a seasoned writer indeed. A sense of immediacy pervades as the foci shifts from character to character always in the present tense. Each chapter is punctuated into numbered sections with each successive section turning to a different character and scenario which acts as an authorial technique to assist the reader to understand concurrent action akin to "...in the meantime..." King skilfully weaves past and present to build knowledge of the characters.
There is a large cast of characters in Never Flinch. Deftly, King manages to flesh them all out - complete with their personalities, actions, motivations and back stories. The characters all have a creative compulsion to some degree; they have obsessions. We see a study of damaged individuals and the harm that they do. We see their wrong-footed thoughts, the cracked filters through which they view the world. We see the traumatised psyche of the protagonists and while the tension builds and the game of cat and mouse evolves, King gets the reader thinking...who are these characters/ What might they do? While one character obsesses over a single victim, the other (who has a greater inner monologue) observes himself dispassionately as he clocks up victims. As a study in what leads villains to behave in this way, Never Flinch is sad, disturbing and upsetting. Horrific childhood abuse, grief and loss has led to the deteroriation of both characters into maladjusted killers.
Breadcrumb clues are scattered, red herrings appear, there's a certain amount of withholding and gradual revelation and definitely a killer twist. The visceral violence and the random way that the serial killer selects his victims is chilling. The Buck-eye City Police Department's ace detective is always a step behind. The identity of this killer comes as a shock and surprise. The other killer is definitely socially withdrawn and known by a crazy religious sect to be so; the other functions within society - very well (at least in the workplace). Escalation of violence occurs as the plot picks up pace towards the climactic end.
The tension holds throughout. All characters are subjected to a high level of stress, whether they are the hunted or the hunter. All characters need to hold their nerve - hence the title Never Flinch.
Never Flinch is dark and violent both psychologically and physically. As the Daily Mail says, Stephen King is ..."One of the greatest storytellers...master at revealing the horrors that lurk beneath...ordinary life."
Themes Revenge, Women's rights activists, Addiction, Serial killing, Religious vigilantism, Detectives, Grief and loss.
Operation Hurricane by Paul Grace is a powerful account of Britain’s first atomic test in Australia. Grace unpacks the logistics of the mission, from transporting plutonium in steel boxes welded shut to RAAF patrols sweeping the skies to the bomb being lowered into a warship. But beneath the technical feat lies the sobering reality of the environmental damage and the harm suffered by Indigenous communities exposed to radioactive fallout with little understanding or protection.
A major thread running through Operation Hurricane is Britain’s imperial arrogance and Australia’s political compliance. Grace emphasises Britain’s assumption that Australia would serve as its nuclear testing ground with minimal consultation or concern for long-term consequences. He highlights how PM Menzies approved the operation without parliamentary discussion, thereby framing Australia as the associate in an extremely dangerous experiment. He also draws the reader’s attention to the physical and biological scars left behind by the experiment, bringing to light how fallout drifted far beyond the blast zone, irradiating islands and seeping into the mainland, how servicemen were unaware of the dangers, and how Aboriginal communities living closest to the land suffered the most, yet remained invisible in planning.
Although Operation Hurricane is a historical account, Grace brings it to life through the voices of those who lived it. Drawing on his grandfather’s experience in the RAAF, he offers a personal lens, adding depth and emotional weight to the story. The inclusion of testimonies from servicemen like Vince Douglas, who witnessed the detonation firsthand, makes the narrative gripping and real. Meanwhile, the decision-makers, both British and Australian, are portrayed with detachment, highlighting the distance between those giving orders and those facing the consequences. Most notably, the near-absence of Indigenous voices becomes a haunting omission that underscores how these communities were sidelined both in history and in reality.
Operation Hurricane is a wake-up call. Grace manages to take something technical and historically dense and make it genuinely compelling to his readers. His writing is accessible without dumbing anything down, and the way he weaves personal stories into broader political critique is incredibly effective. Readers are made to find themselves frustrated, rightly so, by the recklessness of the operation and the way Australia was treated as a nuclear testing ground without question. The book raises some hard questions: Who gets to write history and who gets forgotten? And what do we owe those who were affected?
Themes: Atomic bomb testing.
Jyotsna B. (Student)
Rakali of the Riverbank by Stephanie Owen Reeder. Illus. by Rachel Gregg
Rakali are one of two native Australian rats and have different names used by Indigenous people throughout Australia. The term rakali comes from the Ngarrindjeri people of the Murray River area of South Australia. The rakali is also known as the golden-bellied water mouse or native water rat and is only one of two amphibious mammals in Australia. The other being the well-known platypus.
This engaging narrative non-fiction book tells the story of Rakali as he travels and patrols his riverbank home over one night. The reader learns about Rakali’s eating habits and prey, his natural habitat, the predators he must be mindful of, and his family of young pups. The story is clearly told and the appealing softly toned, full page illustrations perfectly complement the text. The emphasis throughout on new and key words adds another layer of learning to the story.
The final pages provide so much more interesting information about the rakali, the name chosen by the Australian Nature Conservation Agency in 1995. There is a detailed diagram with explicitly labelled features as well as a map of the rakali’s habitat. A valuable glossary is included along with the conservation status of the rakali.
Once again CSIRO Publishing has published another fabulous story to provide younger readers with an opportunity to enjoy learning about our amazing Australian wildlife. An excellent book for all school libraries and classrooms. Teacher notes are available.
Themes Australian Native Animals, Mammals, Habitats, Ecosystems, Family, Predators.
